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Download Ebook Careless Love: The Unmaking of Elvis Presley

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Careless Love: The Unmaking of Elvis Presley

Careless Love: The Unmaking of Elvis Presley


Careless Love: The Unmaking of Elvis Presley


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Careless Love: The Unmaking of Elvis Presley

Product details

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Audible Audiobook

Listening Length: 31 hours and 7 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: October 19, 2012

Language: English, English

ASIN: B009WTS2ZA

Amazon Best Sellers Rank:

This is THE Elvis biography to read. Peter Guralnick is incredibly responsible in his research and in what he chose to tell. He's careful about not repeating unsubstantiated gossip, yet gives you a good feel for Elvis's profound difficulties in his relationships with others, and, really, himself. This second volume is heartbreaking as we see Elvis less and less able to use and enjoy the talent and world of music that, from the first volume, we know is his true calling and true joy. Elvis was damaged in ways from very early on; Guralnick shows us how his drug use greatly exacerbated difficulties that were already there, and led to a severe decline in his health. But he does so with respect for the human being and a great love of music and appreciation for Elvis's essential love and understanding of music. It's a tragedy, but Guralnick never resorts to being exploitive. This is an extremely well-done biography.

Careless Love, the second half of Guralnick's excellent bio of Elvis, is much harder to stomach than Part 1, due to the subject matter. Where Part I, Last Train to Memphis, told the story of Elvis during his glory years and rise to stardom, when he was literally on fire, Part II, especially the latter sections, is virtually the depiction of a prolonged death march. Elvis descends into drug dependency, mental instability, financial insecurity, decline of record sales and popularity, and hastily thrown together, financially motivated tours, combined with his getting fat and fuzzy and ill-fated love affairs. Elvis's inevitable death sitting on the toilet in Graceland while trying to defecate really comes as no surprise. However, as sad as all that is, Guralnick's portrait allows us to empathize with a really human Elvis, who, once a god, disintegrates into a jumpsuited pile of self loathing, self-pity and self-destruction. The reasons for this are many and Guralnick exposes them all: the death of his mother, so called friends and family who use him for his money, the Colonial mercilessly trying to push Elvis product, no matter the cost to Elvis himself, an apparent predilection for feeling "high", Feelgood "doctors" who provide Elvis with crazy amounts of "prescribed" drugs (the toxicity report stemming from the autopsy is disgusting), and a self-loathing that equals anything in Shakespeare's great tragedies. Elvis really had no one to blame but himself for what happened-as this book makes clear. But the book also makes clear the price he pays for the otherworldly success he experienced in the first Book, in which he was depicted, rightly so, as a virtual god, and treated as such by fans and those around him. The sad thing is that the book really gets across that what really mattered to Elvis was the music and his ability to communicate through music and his performances with fans, and as his ability to do so diminished over time, for all the reasons mentioned above, his own self worth and will to live diminished as well. Elvis went from the heights of fame and fortune, and ended up by the end of this book as an overweight, delusional, whining mess who ends up dying while defecating laying in the bathroom in a pool of his own vomit. Not pretty stuff folks, and the book doesn't flinch or shy away from the grim reality that Elvis ended up experiencing. One can point to the Memphis Mafia and the stupid "tell all" book they wrote that precipitated and possibly even hastened his death (what kind of "friends" would do that to someone? and I don't buy their BS excuse that they sold the book in order to "help their friend, who otherwise wouldn't listen to him", come on, complete bull), or the Colonial who really could care less for Elvis as a person, or for anyone else for that matter as this book makes clear, (see the "Colonial's" treatment of his own family), or Ginger, his last "girlfriend" who comes across as self-serving and motivated by her family to "marry him quick before he dies" for his money, or even his dad Vernon who was ineffectual in truly being there for Elvis emotionally and was clearly on the gravy train as well. But ultimately, Elvis was responsible for Elvis. And he simply could not handle being a mature person, couldn't handle growing old. Sad. But this is a great book, well researched, well written, and sad as it is, the depth and skill of the writing allows us to really feel for Elvis. Its just too bad that those around him seemed to never have really loved him as a person. His music, legacy and influence will stand the test of time. I think it is time for a re-evaluation of Elvis the artist. Sinatra and others have experienced revivals of their music, and I think Elvis's time will come, once the caricatures and jokes disappear.

The detail of this book is deep. Mr. Guralnick is very meticulous in his chronology of events thruout Elvis' life and if anything was missed, Ijust can't imagine. Lots of new info I gleaned from this obviously well researched book . I am a true fan of Elvis Presley. This book reflects on the good and bad.. It did not change my love for this man/entertainer one bit. The one thing that is very clear in this book is that there were so many people that took advantage of him, and that is so sad and hard to accept. Perhaps if he had not had so many "hanger oners" his life wouldhave taken a different turn. It actually explains , in my opinion, why Elvis' life was cut so short. I willalways love him and his music.

Unlike the Goldman Bio in 1980 this is not a character assassination. The truth though lies somewhere between the two books; in the Guralnick version for instance Elvis's incontinence is treated as an aberration. Gold seemed to treat it as an ongoing condition because of the massive doses of pain killers Elvis ingested. It then becomes a question of perspective. While Guralnick seems to present the King as someone who was totally overwhelmed by his circumstances Gold looks at in terms of moral decay: a kind of modern day King Midas who was delighted at first with the powers he was given but ended up choking on them( yes literally in a ironic real sense too). Having said that it shows what can happen when you no longer have the burdens and some would say blessings of an ordinary life. Eat when you want play when you want remove all the constraints of a ordinary citizen. He was helped along the way with the clichés of the "Hollywood Physician " syndrome that ended Michael Jacksons career as well. So now after 650 pages I will go back to what drew me to him in the first place the Sam Phillips recordings with the Sun Label Rooster decal and remember the magic of That's All Right Mama and Heartbreak Hotel and celebrate the blessings of being part of the madding crowd...

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Ebook Download Netflixed: The Epic Battle for America's Eyeballs, by Gina Keating

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Netflixed: The Epic Battle for America's Eyeballs, by Gina Keating

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Review

“The little red envelope that could . . . and did! This is a classic Silicon Valley start-up tale and Keating gives readers behind-the-scenes access to a story that continues to play out in America’s mailboxes, living rooms, and mobile devices every day.”—JIM COOK, CFO of Mozilla; Netflix founding team member“A well-crafted, well-researched, and well-sourced page-turner. Keating is no stranger to this subject, having covered Netflix for years as a reporter, and gives readers a fascinating and insightful look into the inner workings of a company that forever changed how America watches movies.”—LORI STREIFLER, executive editor, City News Service Inc.“Even if all you know about Netflix is that it has bright red mailers and comes out of your Roku box, Keating’s reporting will make you want to sit down and learn more. It’s a tale of corporate intrigue, gigantic success, and enormous failure.”—ALLAN PARACHINI, adjunct professor, California State University; former Los Angeles Times reporter“Netflixed has all the drama and intrigue of a Hollywood blockbuster, but for me, it was also nostalgic. Gina Keating perfectly captured the pressure, energy, and emo­tion we all felt as we fought Netflix for control of America’s living rooms. I’m often asked by people, ‘What happened at Blockbuster?’ Now I can tell them . . . just read Netflixed.”—BEN COOPER, EVP, Camelot Strategic Marketing & Media; former head of marketing, Blockbuster Online“…Veteran media journalist Keating’s nonfiction debut is a surprisingly swift-paced mix of investigative journalism and thrillerlike suspense. The major players in the game—Netflix CEO Reed Hastings and Blockbuster’s John Antioco—are both complicated characters, and Keating does a commendable job painting a portrait of these very different business leaders, each with his own unique approach to vying for the same brass ring: domination of the American home-entertainment market …An impressive look at the infinite complexities and cutthroat competition driving the deceptively simple business of 21st-century movie delivery.—Kirkus Reviews“There's a grim reality behind the magical wafting of DVDs to our mailboxes, according to this lively, canny business potboiler…[This] colorful narrative climaxes with Netflix and archrival Blockbuster throttling each other in an old-fashioned price war that Netflix wins by a hair. Keating hypes the allegedly world-shaking technological transformations in how we access digital content, but what's far more interesting and dramatic is her smart portrait of how an ever-changing capitalism stays very much the same.”—Publishers Weekly“Keating separates fact from legend in this story of how the tiny upstart, Netflix, took on and ultimately decimated the goliaths of the industry, Blockbuster Video and Hollywood Video… It seems that only Apple Computer rivals Netflix in how its customers hold a deep personal attachment to the brand “experience,” and fans of the service will get a lot of insight into how much risk, dedication, and commitment it took to bring that experience into being.”—DAVID SIEGFRIED, Booklist

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About the Author

Gina Keating was a staff reporter for Reuters and United Press International for more than a decade. Her work has appeared in Variety, Southern Living, and Forbes. 

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Product details

Paperback: 304 pages

Publisher: Portfolio (September 24, 2013)

Language: English

ISBN-10: 1591846595

ISBN-13: 978-1591846598

Product Dimensions:

5.5 x 0.8 x 8.4 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

81 customer reviews

Amazon Best Sellers Rank:

#313,160 in Books (See Top 100 in Books)

This is a very interesting case study of the growth of Netflix. Having been part of the story as a customer, I especially enjoyed all that went on as Netflix battled Blockbuster for dominance in the industry. It is fascinating financial and tech history. I am disappointed that the author never really captured any of the main people as people. While there were many anecdotes, this book never got personal the way that I like with a good bio. Still, I am glad I read it. If I could give half stars, I'd rate this a 3.5 book. The story itself is a good one, even if it had the potential to be a better book.

As an avid movie fan and long time customer of Blockbuster I switched to Netflix a few years ago as I loved the no late fees concept. The library from Netflix of course was huge so that was a plus as well. This book helps to explain the disruption in the market for movie fans and how slow Blockbuster was to respond. Reminds me a lot about the ongoing battle with Amazon and Barnes and Noble (Barnes and Noble responded a little better).Gina Keating does a good job balancing the two sides and taking the reader into both houses to understand the thought process for Blockbuster and Netflix. I enjoyed reading about Johnny Antioco from Blockbuster as he so badly wanted to implement certain ideas, but at times was misguided.Anyone who is a fan of corporate strategy will enjoy this read as Netflix enjoyed having large amounts of cash and low overhead compared to Blockbuster with a serious cash burn and high overhead. In addition Blockbuster had franchisees not on the same page with overall strategy. Netflix also had a personal credo of "great brands had to connect with customers on a personal level". If used wisely and monitored this is where social media helps certain companies.Good book on how to get after the more established companies and disrupt "business as usual". Anyone starting a business and challenging mature companies and markets needs to read and understand this book. Well written and an interesting read for sure.

Gina Keating's 'Netflixed' is more than just a tale about the rise of Netflix. It's a fascinating - dare say 'gripping' - narrative of the no-holds-barred, street alley fight between Netflix and Blockbuster for America's eyeballs.We all collectively joke today about Blockbuster's dead meat adherence to its bricks and mortars roots while the country hurtled inexorably towards a broadband future. Keating reminds us that it almost didn't turn out that way. There was a period in time in which Blockbuster - under the stewardship of CEO John Antioco & SVP/GM Shane Evangelist (has there ever been a better name for a corporate leader?) - conceived and masterfully executed Blockbuster Online, an online/offline play which terrified Netflix executives to their bones. Keating's book is as much Antioco & Evangelist's story as it is Reed Hasting's.For the record, it was Carl Icahn and Jim Keyes that ultimately destroyed the promise of Blockbuster Online, not Netflix. Keating makes a very compelling case on that account. Consider it death by one's own hand.On the Netflix side, it's less Hasting's tale than it is Mark Randolph's, the founder and spiritual touchstone of Netflix. Keating's stories from early days of Netflix have the feel of a joyous, swashbuckling band of pirates. The author does tip her hat to Hastings though -- the man's combination of entrepreneurial chops, serious smarts, ability to be the secret whisperer to the financial markets and sheer will of personality are a fearsome combination in one man. This is no accidental success story.In her Acknowledgements, Keating relates that "[t]hese executives humbled me with candid self-assessment, the likes of which I had rarely heard as a longtime journalist covering the financial, political, and legal realms. Simply being allowed to share their thoughts and emotional journey at such close range made this project highly satisfying." Her talent is that she took these oral histories and assembled them into this wonderful, rollicking narrative. I highly recommend you check it out.

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